hand drawn animations greeting the new year
ballpoint pen, marker, notebook paper
gouache on hot press paper
paintings of landscapes throughout game Mario64
Short story about the suspicious past date eggnog lurking in the fridge…
Scenes made in 3D with Blender and painted over in Photoshop. Winter 2023
an animated micro-short about Santa and Prancer’s ennui about the capitalism of the holiday season.
animated with photoshop, published on instagram @daniellechenette
short comic/guide for the common sense shopper as winter approaches.
drawn with ink on paper, scanned and colored via photoshop (2023)
quick paintings of a laundromat, painted on photoshop (2023)
Comics drawn with ink on paper in my sketch book, then scanned and colored digitally with photoshop. All three of these stories were published on my instagram, @daniellechenette during 2023
Gouache Paintings of: Brooksville, ME; Atlas Farm in Deerfield, MA
Sweet Dreams is the working title of the imaginary movie I made set designs and paintings of for Kellan Jett’s Visual Development Class in spring of 2023. The assignment was to design and paint two environments, I chose ‘carnival’ and ‘skyscraper penthouse office’ as my locations and .
The concept behind the movie is a heist film set in late 20th century, New York City and Capital District. Using a snack stand in the local carnival by the airport as the main front, the brother-led business booms in plain sight.
finished paintings and loose sketches from Kellan Jett’s Visual Development class, spring 2023
painted on a jetblue flight with procreate (2023)
illustrations made from JD Salinger’s first story in his book ‘9 Stories’, A Perfect Day for a Banana Fish
ongoing painting and drawing series about baseball/baseball stadiums
digital portraits of my laptop computer, painted with procreate (2023)
screen shots of the first version of a personal short film that got shelved, “Lucky”, about an elf who has aspirational hopes for his lottery ticket. (winter 2022)
series from 2018-2022
painted with holbein acrylagouache
composition assignment for Kat Tsai’s Color and Light Class spring of 2022
Series of paintings from 2016-2020 painted during the Trump years.
These paintings are about government censorship of its citizens and the role major corporations have in controlling and misinforming information.
body of work created throughout 2017
gouache on paper
This series explored the moments inbetween a major transition and the architectures that hold us in place as a society. Pricing available upon request.